Best of Digital Design

All Best of Digital Design Content PRIOR TO MERGER

SND Digital: Silver to Guardian for Homan Square

Society for News Design

What the judges said: “The transitions are useful in moving you from moment to moment – and they’re super-fast. For how complex the technical approach is, the speed component is impressive – we should all put a priority on speed. Each transition makes one big point, shows one big number. It’s focused and successful all the way through.”

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SND Digital: Silver to Marshall Project for ‘Next to Die’

Society for News Design

What the judges said: “There is something powerful about the faceless nature of the visualization, it eliminates assumptions you might have based on race, style, other attributes. It’s generalized to point of just being a human being, that is what gives it power. The simple editing, the placement and pacing. It’s a shining example of how you can tell stories different, how you can create an emotional relationship with a database.”

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SND Digital: Silver to Tampa Bay Times for ‘Pinellas County’

Society for News Design

What the judges said: “This tells a very important story, and it does so with inventiveness. We often don’t allow ourselves to take chances with important stories. Putting the data into a new narrative structure, and incorporating the narrative into the graphic itself instead of running it adjacent, it makes people care. This is how you create emotion through data visualization. This presentation was used as a precursor to the story going live; it’s a great example of how to deploy resources as a warm-up act.”

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SND Digital: Silver to Washington Post for ‘How Dry is California?’

Society for News Design

What the judges said: “This is a classic example of “show, don’t tell.” It takes a tough topic and helps the reader understand it in a surprising, memorable way. Your phone almost becomes the chart. Normally we don’t like the idea of scroll-jacking (hijacking the behavior of the scroll), but this project wouldn’t work without it. There’s a simplicity and ambient nature of the lightly moving water, it shows restraint. Subtle but engaging.”

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SND Digital: Silver to The New York Times for ‘Space & Cosmos’

Society for News Design

What the judges said: “Clean and controlled. You have the opportunity to play with it; if you’re REALLY interested, there’s enough there to spend on each component. Works as a quick pass and a deep dive. The videos are exceptional. The planet cartography and topographic rendering is so impressive.”

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SND Digital: Silver to Nat Geo for climate change package

Society for News Design

What the judges said: “I love the art design and the variety of the language and visuals. It’s very accessible. The images work very well with it. The package was a sophisticated, simple — nothing was overwhelming. Everything makes you want to explore the next piece. Seamless. Remarkable. Things you want to know. The exercise in restraint argues for its ability to stretch the medium.”

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SND Digital: Gold to Guardian for measles interactive

Society for News Design

What the judges said: “”I was pissed off that I didn’t think of it myself. It takes a tool that we are all familiar with and uses it in a different way. Simplifies a complex subject. One of the most creative uses of D3. It’s already influenced other projects that have been created since.”

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SND Digital: Gold to Wall Street Journal for 2050 series

Society for News Design

What the judges said: “Remarkable, fluid. You have a lot of data but also feel like you’re being put in the place. It is a show-stopper, such a good use of these new devices for design. The technology felt very appropriate for it. It’s very technical but it didn’t feel gratuitous. The art direction is the thing that makes it really impressive. It hits all the compelling points. They’ve used all the elements of this sort of new technology perfectly.”

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SND Digital: Silver to Wall Street Journal for ‘Stolen Boy’

Society for News Design

What the judges said: “Incredible story, the pieces are great. The style of the graphics is very strong, emotional. The tone of the illustrators helped to truly feel the story. The little design touches kept the reader scrolling and made it continuously interesting. There was a very interesting feel where it went form day to night with the black and white. It’s a story that a reader will want to come back to. The appeal to the emotion is a convincing reason to give it a Silver.”

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